LGBT+ characters took up a little more space in the movies in 2020. According to GLAAD's annual Studio Responsibility Index there was an increase in the percentage of films with LBGT+ characters. A good portion of these were serious, substantial characters, too — 80% of these movies had LGBT+ characters with more than 10 minutes of screen time. The group found that the percentage of LGBT+ characters of colour also rose.
These numbers show a positive trend when it comes to LGBT+ representation in film, but there is, of course, a huge grain of salt: The pandemic shook the movie industry, affecting theatrical distribution. So the 2020 study only looks at 44 films, compared with the previous year's 118. And as such, the group decided to do away with its usual 5-star grading scale this year.

Caveats aside, GLAAD found a number of glaring gaps in LGBTQ representation in film. According to the report, theatrical releases from the major studios contained zero transgender or nonbinary characters for the fourth year in a row. There were zero LGBT+ characters with a disability. And there were no LGBT+ characters living with HIV.
In a preface to the report, GLAAD President and CEO Sarah Kate Ellis noted, in particular, the latter group was facing “incredibly high levels of stigma and discrimination.”
“We've seen how culture can change when stories have a face, most notably with Billy Porter recently sharing his experience of living with HIV and receiving incredible waves of support,” she said. “It is clear that there are so many more stories to tell and so many more films needing to get made and seen.”
As ‘NPR’ writes, characters are marked as LGBT+ by the study based on what is presented on screen along, or through a “wide and commonly held cultural knowledge of a real-life figure.” For instance, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) clearly presented the character Renee Montoya as an out lesbian with an ex-girlfriend. On the other hand, the coffee-shop boss Gail in Promising Young Woman, played by transgender actress Laverne Cox, didn't count, as there was “no indication that the character of Gail is transgender, though she very well could be.”
Overall the report noted that the audience is changing fast, citing a Gallup Poll showing 15.9% of Generation Z Americans identified as LGBT+. If studios and production companies wish to remain relevant, “they need to be prepared for this group,” Ellis said.
Read related myGwork articles here:
GLAAD Urges TV Industry To Increase LGBT+ Representation To 20% By 2025
GLAAD: Gay Representation in Media is Up
Kristie Alley Hits Out At Oscars Over New ‘Representation And Inclusion’ Rules For Best Picture
There Is Power in Representation, but It Has to Be Authentic
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